by Ernest Hogan

Being a product of SoCal--my first few years on this planet were spent on Bonnie Beach Place, East Los Angeles--I'm glad to see it.

I'm also humbled to be mentioned as a precursor to this hemispheric cultural phenomenon:
. . . perhaps participants may walk the streets of Los Angeles anew and feel moments of being part of the first Xicano science fiction novel by East L.A. born Ernest Hogan, where in Cortez on Jupiter (1990) Pablo Cortez sprays graffiti across L.A. and paints in zero gravity, all in an effort to make a masterpiece for the universe and his barrio.
And that ain't all:
Maybe I accomplished a few things in my decades of struggle . . .
And with Mundos Alternos, not only is the border between La Cultura and science fiction being violated and broken down, but Latinoid fine art is being sci-fiized. Non-traditional media, and formats are being used. I like the idea of the future as a walk-through, multi-media, interactive construction. The past, future, and different cultures are getting rasquached. New cultures are being born. And the idea that the future is something you should be custom-building yourself, not buying off the rack from some corporate franchise.
I see hope amid the mayhem.
Ernest Hogan has been doing crazy stuff that zigzags in and out of science fiction and beyond since way back in the twentieth century. Maybe it's done some good.